Skip to main content

Multigenre Memoir Observations Day 2

10-28-08


Today, students finished their planning. They picked four of their memories that they really wanted to write about and began making the hard decisions. They had to decide which genre(s) they wanted to use to write about each memory and then write a 1-2 sentence statement explaining why they
had made that specific genre choice. (These statements about genre choice later become part of their author's notes in the final product.) After I modeled this part of the process, I just walked around the room and observed, stopping to help students at this juncture who seemed particularly stumped. For example, one of my students lost her baby brother several years ago to a tragic accident--he was run over by a family member in the driveway. This student at first wanted to write an obituary to show her memory. In her rationale, she wrote, "Obituaries are how we show that someone died." When I talked to her about the genre format, she realized that an obituary would really only tell us a few facts--when and
where he died, birth and death date, surviving family members, date, time, and
place of the services. She decided to do the obituary and discuss the genre's limitations in her author's notes. She decided to further explore that memory through a diary entry because "it will let me talk about the details and my feelings."I was so excited today! Students were authentically discussing genre and author purpose and features, a major and more-difficult-to-teach English 9
SCOS goal! They were thinking like authors! Once we completed this thinking process, students each shared a genre they had chosen to show a particular memory and briefly told why. This sharing caused a few students to go back to their lists and revise. They had been inspired by other's choices. I do need to explain that students had 6 categories of genres to choose from and could only choose 1 genre from each category for the project. I felt that this step was important because, while still giving student choice, it kept students from entirely doing an art project or just a creative writing project. Students helped me create rubrics.

Comments

Popular posts from this blog

Unlocking Creative Brilliance with Digital Magnetic Poetry: Teach Syntax, Diction, and Tone

Originally published 1/14/2009.  Updated 11/4/2023 The possibilities are infinite--ish when you use online magnets to get creative. No refrigerator necessary. Free online kits here . Poetry, with its mesmerizing ability to encapsulate emotions, stories, and ideas within the boundaries of words, is a true art form. But there's a particular type of poetry that holds a special place in my heart—the kind that challenges our traditional understanding of language and syntax. I'm talking about magnetic poetry, the quirky, wordplay-filled realm where creativity knows no bounds. I love this type of poetry! It really makes me think in a different syntax, playing with a strange juxtaposition of words. Often, I use this format when I am bored or if I have NO IDEA what I want to write about! The beauty of magnetic poetry lies in its simplicity and boundless potential for creativity. It's an art form where words become movable puzzle pieces, waiting to be rearranged into poetic masterpi

What is Working Memory?

How Does The Brain Work? If I could answer that question, I could probably be cooling my heels on a nice island somewhere, mimosa in hand,  Instead, I am left to read research and theories about how the brain (and reading) operates.  One can dream, though..... For years, researchers delineated memory into two types:  short term and long term.  More recently, after the advent of LaBerge and Samuels Automaticity Theory (1974) and Perfetti's Verbal Efficiency Theory (1988), this construct was re-imagined as working memory --which adds the dimension of processing to the function of storage ( Daneman & Carpenter , 1980).  As they explain, "Working memory is assumed to have processing as well as storage functions; it serves as the site for executing processes and for storing the products of these processes" (p. 450).  Working memory is active rather than passive.   Tanabe , Azumi , Osaka, & Naoyuki (2009) explain that working memory consists of at l

A Book Review of Sark's (2008) Juicy Pens Thirsty Paper: Gifting the World with Your Words and Stories and Creating the Time and Energy to Actually Do It

A Book Review of Juicy Pens Thirsty Paper: Gifting the World with Your Words and Stories and Creating the Time and Energy to Actually Do It by Sark.  Three Rivers press, 2008. 185 pages. $18.95.             When I first discovered Sark, I was at once inspired, envious, and critical. I remember sitting on my best friend’s bed, covered in its usual tangle of sarongs and tapestries rather than real bed clothes, growing more incredulous as I flipped each page of Succulent Wild Woman (1997).   What kind of new-age hippie crap was this?   Someone had gotten paid to write this ?   These doodles and handwritten pages were worthy of my ultimate goal, that pinnacle of success, PUBLICATION?   But each spunky drawing and passage motivated me to continue my own writing.   Sark wrote the way I wrote, turning letters to friends into artwork, and if she could get paid for it then I could.                 Fast forward ten years, and I am now a doctoral student bogged down in academic readin